The tag line for Stanley Kubrick’s sixth feature was “How did they ever make a movie of Lolita?” And it’s a good question. Vladimir Nabokov’s infamous novel, first published in 1955, is a delirious account of a middle-aged sophisticate’s obsession with a 12 year-old “nymphet.” The book was both praised and pilloried when it came out. Graham Greene called it one of the best books of the year while an English newspaper called it “sheer unrestrained pornography.” With press like that, Lolita quickly became a best-seller.
So when Kubrick, along with his producing partner James B. Harris, bought the rights to the book in 1958, they first had to prove that it could be filmed in a way that could get past the censors. The Hays code was still in effect in Hollywood, which suppressed any hint of sex between two adults. A love story between a prepubescent girl and a middle-aged pervert was going to be a tall order. “If I realized how severe the [censorship] limitations were going to be,” Kubrick stated later, “I wouldn’t have made the film.”
Read the full article from Open Culture
It takes the Stanford Encyclopedia of Philosophy 28,250 words to explain the woolly concept of relativism. It takes Genis Carreras 32 words and a single image. If you ask me, he doesn’t even need the text.
Philographics is all about explaining big ideas in simple shapes, merging the world of philosophy and graphic design. Here are ninety-five designs, each depicting a different “–ism” using a unique combination of geometric shapes, colors, and a short definition of the theory.
Genis Carreras writes:
The visuals [are] open to different interpretations, allowing the reader to draw their path to connect the idea behind each theory with its form. This plurality reflects all the different theories to see and understand the world that are compiled [in] this book. The book aims to be the starting point of deeper discussion about these theories; it’s a trigger of conversation to bring philosophy back to our daily lives.
Maria Popova from Brainpickings says: Perhaps most importantly, these minimalist graphics are designed to tickle our curiosity and spark deeper interest in influential theories of human nature and human purpose that those of us not formally trained in philosophy may not have previously been inspired to explore.
Tim Walker shoots Tilda Swinton for W Mag 2013. I love this woman.